Based in the mountains of British Columbia,
I photograph things on their way to becoming something else:
moss taking root in wood, petals dissolving, snow softening a town.
Crafted & Unraveling
A quiet archive of human-made objects — gears, buildings, skis, and drain covers — some still in use, others surrendering to rust and weather. This collection traces the tension between purpose and impermanence, craft and decay.
The Undergreen
Where light is filtered, and green becomes breath, memory, and movement. These images trace the forest’s inner world — moss-draped branches, wet bark, the golden flicker of sun filtered through leaf. Here, decay feeds life, and silence hums with growth.
The Unseen Seen
Close studies of wood, bark, metal, and stone — natural and human-made forms revealing themselves in fragments. In each, a pattern emerges: a crack, a rhythm, a quiet revelation. Spending time with these surfaces feels like entering a deep conversation, where the beauty lies not in perfection, but in presence.
Edge of Bloom
Petals caught in motion — blurred, backlit, barely contained. These macro florals teeter at the edge of abstraction, with single points of focus emerging from cascades of colour and bokeh. Like dancers mid-turn, they pulse with energy even in stillness.
Without the Noise
A meditation in black and white. These images strip away color to reveal structure, gesture, and presence — a quiet study of fur, stone, silhouette, and breath. In the absence of distraction, what’s left is form, light, and feeling.
Winter Silence
A meditation on winter’s hush — pillowy slopes, quiet silhouettes, and the small still movements that animate the cold. Birds on a wire, bundled skiers, the geometry of ice. This series observes the delicate balance between dormancy and presence, where even breath becomes visible.
I’m a photographic artist based in Rossland, British Columbia. My work explores quiet transformations — where weather, light, and time shape the surfaces of landscapes and human-made objects alike.
Through close looking, I trace what’s fading, unfolding, or waiting to be seen: a rusted station pump, a moss-draped tree, a bloom dissolving at the edge of focus.
Each image begins in stillness and ends in what’s almost missed.
I am currently developing work for exhibition and welcome curatorial dialogue.
